American art critic and historian Laura Cottingham was the guest curator of this exhibition featuring artists of the feminist art movement (FAM) that surfaced during the women’s liberationist period of the 1970s in the United States and Europe (mainly in France) such as Chantal Akerman, Nancy Angelo, and Candace Compton, Martine Aballéa, Eleonor Antin, Mary Beth Edelson, Nicole Gravier, Françoise Janicot, Léa Lublin, Cynthia Maughan, Tania Mourand, Nicola, Orlan, Gina Pane, Adrian Piper, Martha Rosler, Dorothée Selz, Mierle Laderman-Ukeles, Womanhouse, Hannah Wilke, Nil Yalter (Nicole Croiset) and Judy Blume, and a post-1970s generation of younger women artists such as Ghada Amer, Polly Apfelbaum, Dyke Action Machine, Nicole Eisenman, Géraldine Gallavardin, Natacha Lesueur, and Lorraine O’Grady. Some works were specifically created for the show, such as the installation above by Nicole Eisenman (Grenoble Airport Installation), who made her ironic tribute to the city of Grenoble and its surrounding mountains, ski activities, and airport (on the ladders she placed numerous tins of dog food called “Alpo”). I coordinated the exhibition, the site-specific projects and edited the exhibition catalogue.